front cover of Mediating Vulnerability
Mediating Vulnerability
Comparative Approaches and Questions of Genre
Edited by Anneleen Masschelein, Florian Mussgnug, and Jennifer Rushworth
University College London, 2021
Mediating Vulnerability meditates on the creative and destructive powers of vulnerability in literary form.

To experience vulnerability is to experience the tension between ruin and creativity: a vulnerable species faces extinction but also evolution, and a vulnerable person risks both irreparable harm and transformative connection. Mediating Vulnerability explores how this tension plays out across contemporary literary studies. Examining a variety of approaches to the destructive and remediating powers of genre, the authors consider how vulnerability intersects a range of representational forms including high-profile fiction by Margaret Atwood and Cormac McCarthy as well as lesser-known graphic novels, video games, television, and photography.
 
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front cover of Theatre History Studies 2016, Vol. 35
Theatre History Studies 2016, Vol. 35
Sara Freeman
University of Alabama Press, 2016
Essays in part one of Theatre History Studies, Vol. 35 address theatrical production in very specific historical contexts, among them German theatre “from the rubble of Berlin” and German nationalist mass spectacles. Essays in part two are devoted to the theme of “Rethinking the Maternal” in contemporary and historical theatre. Also included is the Robert A. Schanke Award-winning essay “Whispers from a Silent Past: Inspiration and Memory in Natasha Tretheway’s Native Guard,” a keynote essay by Irma Mayorga, and eighteen reviews of new book publications of note.
 
Theatre History Studies, published since 1981 by the Mid-American Theatre Conference (MATC) is a leading scholarly publication in the field of theatrical history and theory. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
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